Saif Ali Khan says it would possibly not be imaginable to hear a Hindi movie tune with out acknowledging the legacy of ace choreographer Saroj Khan, who made the largest names in Bollywood dance to her tunes.
Actor Saif Ali Khan says it would possibly not be imaginable to hear a Hindi movie tune with out acknowledging the legacy of ace choreographer Saroj Khan, who made the largest names in Bollywood dance to her tunes.
Khan, the title at the back of one of the maximum famous songs in Bollywood corresponding to ‘Dhak Dhak’ and ‘Ek Do Teen’, died elderly 71 of cardiac arrest early on Friday morning.
Calling the three-time National Award winner the “greatest and the most artistic choreographer”, Saif stated how her title hooked up to a undertaking used to be a benefit sufficient for manufacturers.
“A tune together with her steadily become actual artwork, with each and every beat and step requiring an emotion and expression… That technology is long past and that tune is over.
“But for all of us who have had the privilege of being instructed on set by that great lady, will never be able to hear a Hindi film song without thinking of how she has made the greatest names in Bollywood from Amitabh Bachchan, Sridevi to Shah Rukh Khan and Madhuri Dixit, dance to her tunes,” Saif stated in a commentary.
The actor labored with Khan in his debut, the 1993 multi-starrer Parampara adopted through Aashik Awara the similar 12 months, the name monitor of which now not best become successful however, in step with Saif, “stabilised my floundering career”.
“She had me doing a little trademark strikes on my knees on a sweaty extremely scorching and crowded set without a air conditioner and a variety of chemical smoke…
“I finished the step and found I had torn the knees of my trousers and blood was trickling down my leg. I told Saroj ji or ”Masterji” as I called her, and she said ”oh don’t worry about blood. See where this blood takes you in life”,” Saif recalled.
The Jawaani Jaaneman actor stated Khan’s taste of choreography made the tune come alive with “grace and sensuality” and remembered how he would observe her steps for hours on units.
“But we were never allowed to change the step to make it easier. That was not her work ethic. She knew what ”style” suited each of us actors best and would create that for us.”
The 49-year-old stated Khan as soon as made him rehearse a tune for per week and had him carry out in entrance of all the unit, which might grow to be one in all his largest hits: ‘Ole Ole’ from Yeh Dillagi in 1994.
“When I finished panting, she said ”ok, now forget all that, now that you’ re easy with the song let’s try something better!” That song was ‘Ole Ole‘ and she took a hit song to another level. I must have performed this song a few hundred times on stage on international tours, often three times in a row to ”encores”.”
Saif stated he owes it to Khan — and her then assistants, choreographers Jojo and Ahmed Khan — for the tune that became him right into a “dancing star”.
“An incredible feat as I have two left feet,” he added.
Khan were given her first damage as an impartial choreographer with Geeta Mera Naam in 1974 but it surely took Sridevi”s “Hawa Hawai” tune in 1987 movie Mr India for her to obtain acclaim as a dance choreographer of fame.
Her collaborations with Madhuri Dixit, on songs like ‘Ek Do Teen’ in Tezaab, ‘Tamma Tamma Loge’ in Thanedar, ‘Dhak Dhak Karne Laga’ in Beta and ‘Dola Re Dola’ from Sanjay Leela Bhansali’s Devdas, were given her additional acclaim and popularity.
Khan remaining choreographed for ‘Tabaah Hogaye’, that includes Madhuri, from filmmaker Karan Johar’s manufacturing Kalank in 2019.
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